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Features Mindbenderz talk ‘Lord of the Rings’ and fishing, as well as the creation of their new album ‘Celestial Gateway’! Iono-Music artists One Function, Eliyahu, Invisible Reality and Dual Vision talk Robert Miles, kids, dogs and vinyl, while we chat about their current releases! Luke&Flex talk influences, the Irish rave scene, why Flex wears a mask and Play Hard, their new EP out now on Onhcet Repbulik Xtreme! Lyktum expands on his new album ‘Home’ – talking about his love of storytelling, creating new harmonies and the concept behind his musical works. Pan talks getting caught short crossing the Sahara, acid eyeballs and tells us Trance is the Answer, plus shares his thoughts on his latest release 'Beyond the Horizon' - all from a beach in Spain! Miss C chats about living with the KLF, DJing in a huge cat’s mouth, training her brain and the upcoming super-duper Superfreq Grande party at LDN East this Saturday, 16th September! NEM3SI$ - I Live for the Night – talks superficiality, psychopaths, and bittersweet success, ahead of a plethora of evocative, emotional, and passionate upcoming melodic techno releases! Psy-Sisters Spring Blast Off! We talk to DJ competition winner ROEN along with other super talents on the lineup! Blasting towards summer festivals with Bahar Canca ahead of Psy-Sisters Spring Blast! Shyisma talks parties, UFO's, and Shotokan Karate ahead of his upcoming album 'Particles' on Iono-Music! SOME1 talks family, acid, stage fright and wolves - ahead of his upcoming album release ‘Voyager’ on Iono-Music in February 2023! The Transmission Crew tell all and talk about their first London event on 24th February 2023! NIXIRO talks body, mind and music production ahead of his release 'Planet Impulse' on Static Movement's label - Sol Music! Turning the world into a fairy tale with Ivy Orth ahead of Tribal Village’s 10th Birthday Anniversary Presents: The World Lounge Project The Psy-Sisters chat about music, achievements, aspirations and the 10-Year Anniversary Party - 18/12/22! A decade of dance music with Daniel Lesden Earth Needs a Rebirth! Discussions with Psy-Trance Artist Numayma Taking a Journey Through Time with Domino New Techno Rising Star DKLUB talks about his debut release White Rock on Onhcet Republik! PAN expands on many things including his new album 'Hyperbolic Oxymoron' due for release on the 14th April 2022 on PsyWorld Records! Psibindi talks all things music including her new collaborative EP 'Sentient Rays' on Aphid Records, her band Sentience Machine and 10 years of Psy-Sisters! N-Kore talks Jean-Michel Jarre, unfinished tracks and fatherhood! Celebrating International Women’s Day and Ten Years of Psy-Sisters with Amaluna A Catch Up with John Phantasm ahead of his upcoming set at the Tribal Village 4 Day Outdoor Event in Kent 6-9 May 2022! 'The Maestro that is Tristan talks barn owls, Shazamming and keeping it Psychedelic ahead of his upcoming performance at the Tribal Village 4 Day Event in Kent 6-9 May 2022! DJ talk with Psyrenzo ahead of his debut set at Tribal Village, the Steelyard this Friday 14th January 2022! TENZO aka Overdrive talks freely about launching his new act which will be showcased at Tribal Village, Steelyard on 14 January 2022! A long overdue catch up with JourneyOM ahead of his next Tribal Village party this Friday 14th January 2022 at the Steelyard, London! Goa based party animal and artist extraordinaire Nirmal talks punk concerts, metal sculptures, flying and rippin' it up on a High Tide! DJ Wired talks to us about the Rise of the Hope and parties, ahead of his upcoming set at Tribal Village on 14th January 2022!

Interview with Lady Bianca Reported by littlemissgenki / Submitted 16-01-04 09:29 Being recommended by BK as the up and coming dj of 2004 was just one of many fine starts to the year for Lady Bianca. Resident at BK & Andy Farley’s ‘Release’ and now with residencies at Freedom in Dorchester, Rush @ 414 and Twist @ Fire, a storming warm up set at Timeless that had the main room packed to her classic bouncy hard house and her first and last set at Camden Palace coming up at Philtime, 2004 is already promising to be a great year. Harderfaster managed to catch up with the whirlwind that is Lady B just before she took off for a much needed break in Thailand before Philtime and the Twist Commando party. HF: Have you always loved music or is djing a recent thing? Did it take you long to learn? When did you start playing out? I’ve always loved music and was particularly strong in music and drama at school. I always had a real interest, although could never pinpoint my favourite pop song or artist. I loved everything from jazz, blues, hiphop, r&b—a very broad spectrum. I started clubbing at about 17 with a gay friend of mine so mainly went out on the gay scene. I went to a few straight clubs like Hammersmith Palais but never got into it, they always seemed more like meat markets. I started going out to events like Garage at Heaven and the Fridge’s ‘Love Muscle’. I then discovered Trade with my then clubbing buddy Ben (BK) and a group of friends, and we all went every Saturday, religiously for about five years without fail. Our love for hard house had been sealed. Steve Thomas, Tony de Vit, Pete Wardman, Ian M and Malcolm Duffy were playing then and the music was way ahead of anything I’d heard before, some tunes just blew my mind. We used to go mental when we heard some of Ben’s tracks get played on the main floor but for us the best night has to be the first time Ben played. It was NYE and was fantastic to see our friend rocking the dance floor we had stomped for so long and seeing the sheer delight he must have been feeling. The sound in there is so amazing you could feel it in your stomach, I’d often have sore muscles from being on the dance floor till the end. After Trade we’d end up at a friend’s to chill out, they’d bring the decks out and I’d usually take up residence on the living room floor and make a racket playing my favourite records but with no idea how to mix. That was my chill out for many years. I finally bought decks about 6 and a half years ago, and they sat on my floor for about six months, I had a no idea what to do with them. A friend eventually put them together for me. Once the decks were set up, I was still clubbing every weekend, they became a chill out toy. After the club I’d put on my favourite records, but mixing was still a problem. I wasn’t focused as I wasn’t intent on being a dj then, I just wanted to mess around. I got together with Simon Eve about 5 and a half years ago and started going everywhere he was djing. He gave me a big bag of records for practice, as I only had a few bits and pieces of garage, house and hard house to play so it was impossible to mix. I tried mixing at home on my own, more out of curiosity and a love of the music. We moved in together about five years ago and I was still messing round at home usually at our chillouts after he had played out. He was playing monthly at a club called ‘Beyond Dance’ in Canterbury. We were friends of the promoter, Stewart. He had been to our chillouts and knew that deep down I really wanted to try my hand at djing. One night in May 2000 he dared me to play the warm up set. Having had a bit to drink I jokingly said ‘Yeah, no problem’. A month later he showed me the flier for July with my name on it and said, ‘You’re down to play. If you haven’t got your mixing sorted yet you’d better get practising’. He knew I could do it if I put my mind to it. I spent the next 3 weeks practising at home with the same set of records in order: practise, practise, practise. I threw up three times before I went on as I was so nervous. As I’d been working full-time as well as being away for a week, I felt the only thing that was going to get me through this was a pure miracle. So I stood there and played and managed to get through the set. I started with house then progressed to a bouncy hard house set for about two hours. I was sh*tting myself through the whole thing. At the end of the night the promoter announced that it was my debut set and the start of my first residency, he was that pleased! That gave me the confidence to go on, I got such a buzz from it. From there after I played every month, and couldn’t stop if I’d wanted to. After six months I did the closing set after Darren Christian (of the Gallery). He was quite shocked at how well I’d done in such a short time and gave me my first ever acetate to congratulate me and I was so excited! Because I had been a clubber for so long and knew a lot of people on the scene I started to get more gigs. My next gig was Trinity at the Chunnel Club, another place where I knew the promoter—my friend had been pushing him and eventually he gave me a warm up set. It was only after badgering him for about 8 months that I got the slot! I then got to warm up regularly for Tony Price. I always used to pride myself on closing my set at a point the next dj would be happy to carry on from. I wanted the promoter to trust me to do the job I was given not try and prove how hard I can play to get a later set. That would come with time and experience. HF: What are the highlights of your career so far? Definitely the China/Hong Kong tour. I went out there in November 2001, so I’d only been playing 1 year and 4 months. I was based in Hong Kong during the weeks then played at a different place in China each weekend—Shanghai, Shenzen, Guangzou then back to Shanghai. The clubs were amazing! The biggest gig of the tour I played alongside Azzido Da Bass and the club was owned by one of the heads of the city and held 2500 people. It was very strange. Every time I ducked behind the decks to get a record they’d start clapping and cheering and every time I put my hands up they would copy. I was told that I was only the second female dj to go out there but I know that’s not true, I was more like the 4th or 5th. A local TV station came out and interviewed me, and they wanted to know what it was like being a female dj, it was such a novelty out there at the time. I had to have a selection of records to cover all aspects of music—house, funky house, tougher tribal house, the bouncy vocal end of hard house and a bit of club friendly techno. I basically played right across the board and it was amazing to see the different reactions. Overall people seemed to go for more of a vocal bouncy Rachel Auburn style of hard house, a good beat with cheeky vocals. It was a real eye opener. By 2am they were throwing up in the toilets as they were drinking heavily, so I was lucky I often played at the mid-point of the evening, before the likes of John ‘00’ Fleming, Darren Stokes, Darren Christian and Azzido da Bass. It was a real learning experience to judge the floor and decide what records to play, and was especially harder there as so many were not used to the music. I had to keep guessing what they’d like and be flexible. The other highlight of my career so far would have to 4Elements in Rotterdam. It was the biggest line-up I’d been on and the biggest crowd I’d played to. I played to 8000 people alongside Yoji Biomehanika, Nick Sentience, Sterling Moss and Tom Harding and it frightened the life out of me! It was a completely different set up to be standing on stage—it was vast—in a huge room like a hanger in front of 8000 people! I only had an hour to play so had to get everything right, there was no room for f**k ups. I had to really concentrate as it was so different being on a huge stage with loads of sound bouncing round, nothing like the security of a booth. It was the first time I’d played in Rotterdam, which is a little different to playing in Amsterdam as the crowd liked a harder sound. I was playing uplifting hard house and trance, and looking back on it now I may have been better off with the techier sound I play now but it went really well. I’m so glad to have been able to play at such an event and I feel I gained a lot from the experience. Having been a resident at BK & Andy Farley’s ‘Release’ and now with residencies at Freedom in Dorchester, Rush @ 414 and Twist @ Fire and your sets coming up at Timeless and Philtime, 2004 is already promising to be a great year. Is there anything you hope to achieve this year? Apart from continuing to build my profile, I hope to gain a bit more recognition, get my various productions out (house, hard house and techno) to show my diversity, and to keep giving people a good time on the dance floor. If I can leave the booth and keep getting good feedback and so long as I’m playing the music that I love, I’m happy. I’m looking forward to doing more gigs in the UK and abroad, to be able to play at Dance Valley would be a dream come true. I hope I can keep forging a career, doing what I love and giving people a good time while doing it. It certainly beats the boring 9-5 non musical jobs I used to have! I’d love to play at Trade, but to play the Turnmills main room for Timeless this Saturday and to play the classics I heard at Trade comes pretty close! HF: At twist you play a hard house set at 5am then a techno set later on. Are you more passionate about hard house or techno? Which set do you prefer? I love both in different ways, which is why I am over then moon being able to play both sets in the one club on the same night. For my 5am slot I play a warm up set, still tough and pumping but not too hard. A few weeks ago I got to play the last set on the main floor and was on after Ian M and loved it! It’s always a challenge to follow someone of his stature and I love playing hard! It’s also a challenge to play the first set because you’ve got to gauge people’s reactions, think about your tune selection and build a set, build the crowd. The back room set came about when Mrs Woods heard my demo house CD and asked me to come and play with her at Twist, and Steve agreed. To receive a phone call from Mrs Woods, who I used to go to FF at Turnmills to see play, was a real kick. I played a house set the first time but now I play a funky techno set getting harder as I progress. To get to play a hard house and techno set the one club on the same day is heaven! I get to show two different sets of people a good time and play what I love to play. In the techno room I get to play records that I’ve had for 2 years and not been able to play out, its great! HF: Those 5am starts on Sunday must play hell with your social life. Do you try and get an early night on Saturdays, or come straight from elsewhere? If I’ve got gigs before Twist and I don’t have time to stop at home, I’ll just go straight from where I’ve been playing. When I’m not playing I drive for Ben (BK), so I’m normally pretty busy at weekends but if I’m not playing or driving I try and keep normal hours and get as much sleep as possible. Because I am playing two sets at Twist usually from 5 –7am and then 8.30 – 11am, I’ve started power-napping in the car in between my sets, even if it’s just for an hour it’s worth it especially if I’ve been going all night. HF: Are you planning on doing any production? Do you hope to produce hard house or techno? What projects do you have on at the moment? I’ve been in the studio a few times in 2003 working with Mick Shiner on some house tracks of which we have made two: ‘Connected’ and ‘The Warning’, both to be released this year. I have also started working with Paul King who I met whilst on tour in Australia last April. We played back2back for the first time and both really enjoyed it and felt we worked well together. Paul asked me if I’d like to go into the studio with him when we got back to the UK and we have since produced a few tracks. The first to be released is Trauma vs Lady Bianca - ‘Oblivion’, signed to Vicious Circle and is due for release between March and April. This is also my first hard house production and I am over the moon that it’s coming out on one of my favourite labels. About two years ago I did a track for the 12” thumpers, but hated it so I never released it. As Paul and I also share a love of tough funky and tribal house we have produced two house tracks ‘Fierceness’ and ‘The Diva’ and as well as producing together we’re going to play out under the guise ‘Control Freakz’. Steve Thomas is playing both tracks and is hopefully going to be remixing ‘The Diva’. I’m looking forward to getting back into the studio this year to make some more hard dance, house and of course techno tracks! Apart from continuing to work with Paul and Shiner, I have a date in the diary with Ali Wilson and I’d like to make some acid techno with Chris Liberator, Guy McAffer and Dave the Drummer. I also have plans to make some funkier more tribal techno hopefully with Dave Randall and Ben and would also love to work with Andy Farley in the future. Working with one or all of the above would be an honour. I have my own studio at home and have been trying to get to grips with Logic but wasn’t making much headway so I’m studying for a Sound and Audio Engineering degree two nights a week. I also teach DJ skills at Point Blank on a freelance basis. My website is also under construction at the moment —www.ladybianca.co.uk—and should be up and running soon. I also work at Banging Tunes, London, so I’m always busy. HF: What are your favourite hard house, hard dance and techno tracks at the moment? Which tracks are your saviours? Hard house: SPX –‘Makin Me Itch’ (orig mix) Nil vs Miss Tracy – ‘King of House’ (Base Graffiti rmx) Ian M – ‘Crazy Pills/Wind Up’ Hard dance: Alex Calver – ‘Psycho’ BK & Dave Randall – ‘Pushem Up’ Andy Farley & D.A.V.E The Drummer – ‘MBS’ Techno: Ben Sims Unreleased Mixes – ‘House’ (rmx V.2) Quartz – ‘Escape From PG EP’ (Pedro Delgardo’s rmx) Bjorn DB – ‘Summer@M3’ (Tomaz & Kobbe rmx) D.A.V.E The Drummer – ‘Hydraulix 22’ Saviours: Equinox – ‘Immure’ (Equinox rmx), Prime Mover Ep – ‘Black Dogs’ (orig mix) 99th Floor Elevators –‘Hooked’ (Pete Wardman mix) HF: There’s been a lot of criticism from ‘the underground’ about the recent hard dance awards. What did you think about the way they were carried out? What do you think of ‘the underground’ versus more commercial clubs? I didn’t really follow the awards so I couldn’t tell you the winners. But I think they were a good idea to keep the hard dance scene alive! So many people are saying it’s dying, but I’d have to disagree. Things are changing as they always do, sounds change, people change, you get new clubbers on board, everything evolves. Times have been hard for a lot of clubs and labels but it’s not dead or myself and lot a lot of other’s would be out a job! From a personal point of view, from working in the shop and djing, I see enough clubbers and dj’s both new to the scene and the old faithfulls who love the hard house and hard dance sound for me to think it will ever die. In places like the US hard dance is just becoming big now. Different places take off at different times. So long as people love it there will be a scene. You always need the underground scene because that’s where most musical experimentation takes place. People who go clubbing in the underground scene are always a step ahead of the commercial, its always more cutting edge, people are often more open and willing to accept different sounds, so the music moves forward. I remember when I was working at Pure Groove and got 5 or more phone calls from people wanting to know what the hard house tune was with the ‘Shake your arse’ vocal, when asked where they heard it I was told BK played it at a Frantic event at Camden. I had to call him as I didn’t know of any hard house with that vocal sample. He told me it was Raw13, which we had in stock but because it’s a techno track I didn’t think of it. HF: What would you say your greatest musical influences have been? What are they now? Trade was definitely the biggest musical influence for me—djs like Steve Thomas, Tony De Vit, Pete Wardman, Malcolm Duffy. Now: BK, Andy Farley, Dave Randall, Marco Bailey.. I could go on and on! HF: On New Year’s Eve you played at the last Fishtank in Portsmouth. Was it a good send off? Why was it their last party? They’d been going 8 years and had a crowd of clubbers who were very loyal. There was such a range of people and ages it almost felt like a private party. I started playing there under the guise of ‘Alice in Wonderbra’, but that got a bit confusing, so I became Alice in Wonderbra aka Lady B. But it turned out there was another Lady B, as we discovered when some friends went to Brighton one New Year to see Lady B play and it was a different one, I was in Manchester that night! So then I decided to become Lady Bianca and play for The Fishtank as Lady Bianca aka Alice In Wonderbra, a bit long winded but at least people knew who I was. The pseudonym was suggested by the Fishtank crew and I was happy to play for them using there name. I once heard a DJ on the radio talking about wanting to meet Alice in Wonderbra… must have been the whole bra thing. I started at the Fishtank doing the warm up set, then was slowly moved up to playing mid and closing sets. Last year I got to play the midnight slot NYE which was great and from the feedback they got they decided they wanted me to do this NYE which was also there last party. I was chuffed! Apart from being a New Year’s party it was also a fantastic send off. To be a part of that, the last of their main clubbing days, was great. The loyal clubbers they’ve had have seen me grow through different musical tastes as I’ve become more musically aware and confident, it was such a great experience! It was so good to see people who’d seen me play my first set there and now my last and to be thanked. It was also sad as they are great promoters. They always had great production and atmosphere and they weren’t afraid to experiment with the music policy every now again. They put there trust in me as an unknown DJ and gave me the chance to play, then they continued to support me and help me grow and gain confidence and I will be eternally grateful. HF: At this weekend’s Timeless 6 of the djs booked are women. Do you think djing is different for women? Djing has always been male dominated, so it’s exciting to be on a line-up that features so many female djs. It’s really great to see so many girls coming through. I still think it’ll always be male dominated, but there’re definitely more girls getting noticed. I feel we are still a bit of a novelty though especially in some countries abroad. For a guy, image or no image, he can just go up and play: the records are paramount, the technical ability is paramount. For women, not only do they have to have that sewn up and be good, you’ve also got to look good as you do get scrutinised, if you’re not up to scratch you’re eaten alive. If you can get it right, if you’ve got an image or make the extra effort to look your best and you’re good technically then all that you really need is your own sound or mixing skills or both, that can help set you apart from the rest. The same goes for the guys though, it’s just some people seem more nit picky if your female. You’ve also got to get out there and make regular appearances and if you haven’t got the gigs then you need to be out anyway getting to know people, but there’s no point looking good if you can’t deliver the goods. There’s still plenty of room for big name female djs to make it through—it’s great to see Tara doing so well, especially when you know just how hard it is to break through. HF: Philtime is going to be one of the last events held in Camden Palace. Does the place hold many memories for you? I’m really chuffed to be playing Camden and for me it will be the first and last time as its closure is soon. I’m will be glad to be able to say I’ve done it. It’s so sad, when the main room goes off it goes off big time it will be a shame not to have that anymore. I remember going to my first Frantic event there and my jaw just dropping, all I could do was sit and watch people going mental on the dance floor, balconies, tiers in fact anywhere there was room it was so busy! I’m sure there are plenty of people across the globe that have fond memories of clubbing there at some point. When I play it will be upstairs in the Rush room as I’m a Rush resident and I think I’m on last so I can play as hard as they can take it which will be fab! HF: Finally, what advice would you give to djs starting out? Would you give any particular advice to the boys or the girls? Boys or girls—don’t lose focus. Believe in yourself. I didn’t for a long time and it really held me back. That old saying ‘practice makes perfect’ is so true but gaining experience is also a great help. It’s like driving a car, you can’t coordinate everything at first but after a while it clicks. For me it definitely helped to have clubbed for so long too. Once your playing confidently enough start to promote yourself and don’t let knock backs defeat you either. Remember, you can’t please everybody, but it helps if your prepared. I always carry more records than I need, as I like to have enough records to be able to play across the board within reason. I like playing records that not many people are playing, and now I pride myself on gaining the recognition of having my own sound. It was only as my confidence grew that I started experimenting by playing new sounds that I liked but that were new to me or a bit different. That came with experience as there is a time and place to try things out on a dancefloor not all people will bite, playing in China helped me learn that. Playing house, hard house and techno has also given me the chance to learn different mixing skills but it does cost a fair bit with all the vinyl I end up buying! Lady Bianca plays next at Frantic & Phil Reynolds present PHILTIME on Saturday 24th January and afterwards at the Twist Kommando Party on Sunday morning. Share this :: : : : Follow HarderFaster :: Other Features By littlemissgenki: HeatUK (The DVD) – From The Backyard To South West Four - World Premier Preview: Interview with SnowBall Productions Paradise City 001 Preview: From free parties in pubs to private jets—interview with Antiworld promoter Enrico Sorbello Blatantly Brisk: interview with Paul Nineham Paradise City 001 preview: interview with Mauro Picotto Never Enough Maria: Interview with the Queen of Hard Dance The views and opinions expressed in this review are strictly those of the author only for which HarderFaster will not be held responsible or liable. Comments: From: Richard Launch on 16th Jan 2004 09:43.45 Nice work Bianca!!!! From: Lucy Fur on 16th Jan 2004 10:57.28 Fantastic!! Did you know that I actually come from Canterbury and I met my boyfriend who I am still with now on the night of Beyond Dance around the 8th March 2001 and you were playing!!!!! From: Devastatin Dan Dyson on 16th Jan 2004 11:58.42 Nice work Tara,I always found Lady Bianca never liked me when out,back in the day superfish ones!!! From: James Jaye on 16th Jan 2004 18:16.27 Dan..do your sentences ever make any sense? From: Devastatin Dan Dyson on 16th Jan 2004 18:35.57 Course they do!!She never liked me when i used 2 hang with mr.eve From: Lee Osborne on 16th Jan 2004 19:17.28 I know 2004 will be a big year for you sweetheart xxx From: Tina Martin on 16th Jan 2004 22:05.43 hehe.. was it at Airlock Lucy?? I was there too.. where I met you B... all the best chick for 2004!! From: Foxy on 16th Jan 2004 23:45.51 Good work Tara From: Bagel on 17th Jan 2004 13:36.18 Great work Bianca, great to see you doing so well And Nice interview Tara From: Ian Edwards on 17th Jan 2004 21:31.43 hi bianca, good to see you doing, but i miss u at pure groove. stretch. From: *Ting* on 18th Jan 2004 03:26.46 Nice work Biana love you baby From: naughty_norris on 18th Jan 2004 17:51.05 agree with dj stretch missed at pure groove definately no one knows about cheeky trax anymore!!!! keep up the good work!!! naughty_nozzer!! From: V.J. FX on 19th Jan 2004 14:53.59 Top lass and a top DJ, i was at the 4 elements when she played and she did real well, on the way back we were so twatted in the car that we were doing an impression of the 2 muppets that go, beeeeerrrrring beeeerrrring phone phone, boat boat, bridge bridge, etc etc now just like this sounds mad to you guys it did to the rest of the people in the car at the time!!. she is a wicked person a right giggle and it was wicked to have her out in holland with us all. hope this is the year for her to put it in the back of the net big time good luck in all you do for this year honey From: AshAttack on 21st Jan 2004 13:22.34 Hey Bianca, about time you got the recognition you truly desserve, you've worked hard for it!! 2004 is gonna be your year...look out Lady Bianca's about. Yep your gonna do it B, big time we will be with you always. From all at you know where, with love and respet xxx ;-) From: Yojo - Cyberkitten on 30th Jan 2004 07:20.28 Fabulous feline - RESPECT - best wishes for a brilliant 2004 babe - you deserve it - hope to see you at CyberKitten's HaRDKiSS in the future - wicked interview! From: Renate on 4th Feb 2004 00:14.16 Wheheee...thumbs up B..:-) How you doin sweety pie? xx From: AshAttack on 4th Feb 2004 17:46.38 Hey YOJO, cause you will see her at Cyberkitten, shes gonna be number 1. From: Rubella on 8th Feb 2004 21:05.48 Congratulations B, For a blonde you really have it girl. Keep on spinnin & have a great time. You are a top friend, one wicked DJ and general cheereruperer. Love ya to death From: Lady Bianca on 17th Feb 2004 18:24.36 Cheers you guys! Thanks for all your support! xxx From: AshAttack on 25th Feb 2004 16:59.09 Lets hear it for, The Lady of The Industry, there can be only one. Three chears for Bianca, hiphip horay, hiphip horay, hiphip horay. We just love ya to bits xxx and a fantastic freind with the most fab pernona and a contagous laugh! Soz B had to get that one in love..

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